Today’s video of the day is Plastic Bertrand – “Ca Plane Pour Moi” released in 1977.
Plastic Bertrand, born on February 24, 1954, in Brussels, Belgium, is a multifaceted artist known for his roles as a musician, songwriter, producer, editor, and television presenter. One of his notable tracks, “Ça Plane Pour Moi,” soared to success in 1977, becoming the second-ever French language single to hit the Billboard Top 100, reaching number 39. However, intriguing controversies surround the vocals of this hit. Plastic Bertrand confessed in 2010 that the vocals were performed by producer Lou Deprijck, as Bertrand was unable to make it to the recording studio on time. Deprijck, a significant figure in the Belgian music scene, collaborated with artists like Viktor Lazlo and Two Man Sound.
Notably, the track “Jet Boy, Jet Girl” by Elton Motello, an alias of Alan Ward, shared the same backing track as “Ça Plane Pour Moi.” This simultaneous adaptation adds an interesting layer to the music history, dispelling misconceptions about the songs being cover versions. Plastic Bertrand’s musical journey includes participation in the Eurovision Song Contest in 1987, representing Luxembourg with the song “Amour Amour.” Despite scoring 4 points and placing 21st out of 22, Bertrand continued his musical ventures with the 1988 hit “Slave To The Beat.”
In the early ’80s, Bertrand showcased his versatility by joining the cast of “ABBAcadabra,” a musical inspired by ABBA songs, and later exploring the 80s covers scene with “Slave To The Beat.” However, his musical presence waned over the years, and he shifted focus to his art gallery. A brief return to the spotlight occurred in 2005 when he participated in a French version of “Celebrity Big Brother.” The song “Ça Plane Pour Moi” holds a significant place in Plastic Bertrand’s discography, representing a pinnacle in his career. The controversies surrounding its vocals and the intertwined history with “Jet Boy, Jet Girl” add layers to the narrative of this iconic track.
As Plastic Bertrand navigated the evolving music scene, his diverse contributions left an indelible mark. Despite his reduced musical presence, the legacy of “Ça Plane Pour Moi” endures, reflecting a momentous chapter in the vibrant tapestry of Belgian music history.
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